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Thursday, October 10, 2013

Lorde watch

Lorde and Joel Little, at APRA Silver Scrolls



It's been another big week for Kiwi pop star Lorde. Here song Royals is still sitting at #1, for the second week in a row on the US charts. She has two releases in the Billboard Top 200 albums, Pure Heroine and Love Club EP.

Her song Royals was covered by some street urchins in a tv ad for Samsung, featuring football star Lionel Messi. He uses Samsung's latest technology to demolish a building in the slums and create a playing field for the grateful urchins. Apparently the ad is inspired by Messi's own charitable foundation doing similar work.

The reaction online to Royals featuring in a tv ad right after it topped the US singles chart was lively, to say the least. Many online commenters were turned off by what looked like a sudden grab of a pop hit from Samsung, although Billboard quoted an ad exec saying they estimated the music was signed off in late July, well before Royals headed up the charts.

Many folk picked up on a piece written by The Verge's Nilay Patel slamming Samsung on some rather odd assertions. See "Samsung doesn't understand Lorde's 'Royals,' uses it to advertise the Galaxy Note 3 to street urchins."

The comments on that post suggest that Patel has a long history of taking any opportunity to slam Samsung. Is he trolling, or does he have a point? He also mentioned on Twitter that it's "particularly bad timing for Samsung as Royals is currently under fire for being racist." Let's not go down into that particular cesspit.

The Verge's followup piece talked to the ad's director, Adam Hashemi... "Choosing a song proved difficult, and Hashemi makes it sound as though one wasn't selected until late into production. His team considered tracks ranging from David Bowie's "Starman" to Johnny Mercer's "Ac-Cent-Tchu-Ate the Positive." When they finally landed on "Royals," it only had 2 million views on YouTube, he says, and wasn't yet a hit single, although they saw potential. Now, it's at closer to 28 million, and sits atop the Billboard Hot 100. Hashemi isn't sure if Lorde ever saw and approved her song's use in the ad, but a licensing team did clear it."

So, will Lorde cash in on this ad? Her co-writer, Joel Little, has a publishing deal with Sony ATV, and Lorde is yet to sign a publishing deal.  Her record company probably won't get any income from the ad, as they have used their own recording of the song, not the original recording. Lorde's publishing will have been done thru AMCOS, in lieu of a publishing company. [Updated Nov 14 2013  - Lorde has signed a publishing deal with Songs Music, possibly worth about US$4M].

Will the exposure in the Samsung ad hurt her or help her? Simon Grigg (OMC's label) says if the ad only has a short run, then it will help ingrain the song, but if it has a long run, it will become known as the song from the Samsung ad, which may be offputting to radio.

Grigg says "most radio will not want to play a song that is seen to be endorsing a brand." Her future income will be from publishing, and that is linked to airplay. Grigg says when OMC's album came out it sold 1.5 million copies and made it to #39 in the US charts, but that was back when albums were still selling in big numbers. Lorde's album sold 127,000 copies in it's first week, which Grigg described as soft sales.

Meanwhile, she's started doing more interviews, as her album gets released in various parts of the globe. The Guardian's Alex Petridis talked to her, ahead of her album's UK release on Oct 28.

"... Interviewing an international pop sensation while their mum hovers in the background is a slightly odd experience, but then, as Yelich-O'Connor points out, she shouldn't really be here herself. She should be back home in New Zealand, in Davenport [sic], a suburb of Auckland that's apparently known locally as the Bubble – "because it's so insular and closed off from everything" – and which she describes, winningly, as "the kind of suburb that people make movies about, there's quite weird mums everywhere".

ADDED 31 October 2013  - Lorde is on her 5th straight week in a row at #1 on the US singles chart -she posted this on Twitter today - "@billboard: .@lordemusic #Royals crowns the #Hot100 for a fifth week: http://blbrd.co/1aDPEtw ” - soon they'll run out of puns.' Royals has just hit #1 on the UK singles chart too.

She and her co-writer Joel Little recently won her first award, the APRA Silver Scroll, for songwriting. Read more about that night here.

Via Kottke.org: "New Zealand journalist Duncan Greive caught onto Lorde early and has written the self-styled "definitive inside account of Ella Yelich-O'Conner's rise to the top".

It's a fascinating backgrounder on Ella and her family life. Why is she so assured onstage for a newcomer? That will be eight years of doing drama classes. Originally published in Metro magazine, the story is now available online in full at FasterLouder.




There are approximately six million covers/remixes/mashups of Royals floating round the internet right now, here's the funkiest one. Hat tip to Murray Cammick for the above clip. Video info says "Two of the guys playing on Royals (Window & Rooster) are in a southern-fried-voodoo-funk band named "Harvey Knows A Killer". They are hard at work on their debut album, check them out at the following link"...
http://www.indiegogo.com/projects/harvey-s-debut-album-fund.
 The Rekkids on Facebook  


On Tuesday November 5th 2013, Lorde was in New York, performing at the MOMA for an event honouring Tilda Swinton. See the photo below...

As Consequence of Sound put it, "does this not look like a pair of proud parents
posing with their Gothic teenage? "  Photo: David Bowie's official Facebook page

The next day was Lorde's 17th birthday (in NZ) - she was still in New York, a day behind on the dateline. She wrote about that over on her Tumblr, read that here... she reflects on her previous birthday , which "...fell in the middle of exam revision but a bunch of my friends came over anyway to eat cake and ruffle my hair and talk about pokemon. Weirdos..."

Bic meets Submariner and Kas



One of my favourite remixes of a local tune is Bic Runga's Something Good, remixed by the Submariner (Andy Morton). It appeared as a bonus track on Bic's CD single for Something Good way back in 2002.

The Submariner is responsible for several hugely important records here, including early groundbreaking work by the likes of hiphop MCs like King Kapisi, Che Fu, and Ermehn. He had contributed keys, programming, and engineering to a few tracks on Bic Runga’s 2002 album Beautiful Collision. Read more about him over at Audioculture.

In 2004 he produced Break It To Pieces, the critically acclaimed debut album by Kas Futialo, aka Tha Feelstyle - he raps in Samoan and English on this album. Kas had previously worked under the name The Field Style Orator, and featured on this remix billed as that.

Submariner has also done some great remixes for Mark de Clive Lowe, Julien Dyne, Rhombus, Che Fu, Nathan Haines, Recloose, and more - check the Soundcloud tunes here.


I've been wanting to put this remix on Youtube for a while, and then recently I saw Robyn Gallagher write about Bic's video for the original song, as part of her fantastic 5000 Ways project, reviewing every NZ On Air music video  - go take a look if you haven't seen this site.

I had an idea. I grabbed a copy of the video, chopped and hacked it up on an ancient iMac and found an old video of The Field Style Orator and included a few grabs from that. Added some breakdancing, cause it's about time Bic had some b-boy action in one of her videos. Kidding. Love your, work Bic. Please don't sue me.

Source videos below....




Audioculture talk


 If you missed the Audiocultue talk at the Auckland Library last week, here's the audio - featuring Audioculture's Simon Grigg, Murray Cammick, and Steve Shaw.

Wednesday, October 9, 2013

NZ Music Awards technical finalists revealed

Press Release: The full list of finalists for the Technical Awards at the 48th annual Vodafone New Zealand Music Awards is:

Best Producer
Fat Freddy’s Drop for Fat Freddy’s Drop – ‘Blackbird’
Sam McCarthy, Jaden Parkes, Jordan Arts for Kids of 88 – ‘Modern Love’
Shapeshifter and the Upbeats for Shapeshifter – Delta
The Phoenix Foundation / Lee Prebble / Brett Stanton for The Phoenix Foundation – Fandango

Best Engineer
Brett Stanton / Lee Prebble / The Phoenix Foundation for The Phoenix Foundation – Fandango
Lee Prebble for Iva Lamkum – Black Eagle
Neil Baldock for Eden Mullholand – Feed the Beast

Best Album Cover
Gina Kiel and Harry A’Court for Fat Freddy’s Drop – Blackbird
Heather Liddell for Strahan – Posters
Nick Keller for Beastwars – Blood Becomes Fire

The winners of the Technical Awards are revealed at VNZMA Finalists Announcement at The Pullman Auckland on 22 October.

The line-up for this year’s Hallensteins Brothers Critics’ Choice Showcase and the 2013 New Zealand Herald Legacy Award recipient is also being unveiled at the event.


MORE: Recorded Music NZ announces the Technical Award finalists for the 2013 Vodafone NZ Music Awards.

The Technical Award finalists for the 48th annual Vodafone New Zealand Music Awards have been announced by Recorded Music NZ shining the spotlight on Kiwi music’s backstage-professionals.

The 2013 finalist line-up includes a mix of previous winners and finalists as well as several multi-talented artists who have worked behind the scenes on the technical side of their albums.

Renowned indie rock band The Phoenix Foundation dominates the call-up with nominations in the Best Engineer and Best Producer categories.

The Wellington-formed band shares its nomination with Brett Stanton and Lee Prebble who worked with them on their fifth album, Fandango. The album debuted at number four on the Official NZ Music Charts.

Lee Prebble demonstrates his noted engineering skills with a second solo nomination for his work on Iva Lamkum’s album Black Eagle.

Neil Baldock also joins the Best Engineer line up and he’s no stranger to the limelight. In his 23 years of engineering Neil has clocked up some stellar achievements, including working with iconic Kiwi music stars Fred Dagg, Che Fu, Nathan Haines and Flight of the Conchords. Neil also took out the award for Best Engineer last year.

Shapeshifter and Fat Freddy’s Drop continue the theme of bands recognised for their technical work on their own albums.

Shapeshifter and the Upbeats are finalists in the Best Producer category for Shapeshifter’s album Delta. Fat Freddy’s Drop joins them in the Best Producer line-up for the Blackbird album.

Blackbird also features in the Best Album Cover category with designers Gina Kiel & Harry A’Court nabbing a spot.

Recorded Music NZ chief executive Damian Vaughan says: “It’s important to recognise the very special talents of the skilled technicians who bring the music to life and we have a fantastic line up this year. Congratulations to all the finalists.”

Fat Freddy's Drop meets Black Grace dance co

Sharon Jones back on deck



"There's good news to report regarding Sharon Jones, the vocalist of the Brooklyn-based soul ensemble the Dap-Kings, who was diagnosed with stage-one bile-duct cancer in June. According to a press release, Jones is "doing much better" and the band plans to release its postponed album "Give the People What They Want" January 14 2014 via Daptone.

Jones and the Dap-Kings also announced plans for a return to the stage, as they're set to play New York's Beacon Theater Feb. 6.

Last month, Jones announced she was recovering in upstate New York following a successful surgery in June to remove the cancer. In August, she began a six-month regimen of chemotherapy.

“The entire Daptone Family is overjoyed and inspired to see Sharon’s recovery,” says the band’s bassist and bandleader Bosco Mann, via a news post on the band's official site. “Without a doubt, this album is the greatest thing we’ve ever recorded and I’ve been anxious for the world to hear it. Everything will culminate in February at the Beacon. That moment when Sharon walks out to join us on stage again is going to be insane.” Via Billboard

From Daptone: "This past spring, we had just announced the August release of Sharon Jones & the Dap-Kings’ Give the People What They Want when Sharon Jones was diagnosed with cancer.

The scheduled release and supporting tours were immediately put on hold and all efforts were quickly shifted to her treatment and recovery. It brings great joy and relief to announce that after a successful operation, ongoing treatment, and the continued support and love of friends, family, and fans, Sharon Jones is back.

Give the People What They Want
is scheduled to drop January 14th, 2014, followed by Sharon Jones & the Dap-Kings’ triumphant return to the stage on February 6th at the Beacon Theater in New York City, their first show in nearly a year. Ticketing information will be available soon."

 
Give The People What They Want tracklisting
1. Retreat!
2. Stranger To My Happiness
3. We Get Along
4. You'll Be Lonely
5. Now I See
6. Making Up And Breaking Up (And Making Up And Breaking Up Over Again)
7. Get Up And Get Out
8. Long Time, Wrong Time
9. People Don't Get What They Deserve
10. Slow Down, Love

Allo Love vol 3


ALLO LOVE VOLUME THREE - COMPILED BY STAC
featuring The London Bulgarian Choir, Natural Self, Matthew Halsall, Hejira and more.. out now.

"Amidst the fervent anticipation of the release of Stac's long awaited second album (due in the spring of 2014) our favourite soulful songstress has found the time to gather together ten of her favourite pieces of contemporary music for your delictation, in the shape of the third instalment of the "Allo Love" series.

Stac is a real music lover (not a fighter) and her selection exemplifies the breadth of her knowledge, and her perfectly pitched taste.

A sonorous collection, it kicks off in grandiose style with music from The London Bulgarian Choir, no less, and remains in deep musical waters with the Matthew Herbert produced Hejira, trumpeter and friend Matthew Halsall and close contemporaries, Natural Self and Blue Daisy.

You'll also find a quartet of cherry picked Wah Wah 45s nuggets, with music from The Gene Dudley Group, Henri-Pierre Noel, Lea Lea and Scrimshire fitting perfectly into Stac's personal soundtrack, and the latter's cut also featuring the lady herself on fine vocal form.

Finally, Stac duets on the stunning downtempo "Delight" from the mysterious William Sommers. We think you'll find "Delight" sums this compilation up perfectly. Enjoy."

 

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