Myele Manzanza Trio - US debut

2014.03.06 U.S. debut of MYELE MANZANZA TRIO @ the Blue Whale from Society Theory on Vimeo.

Myele Manzanza is currently Stateside, playing a handful of shows in his jazz trio format. His debut, in LA, featured guests expat Kiwi Mark de Clive Lowe, and Miguel Atwood Ferguson. Hes's also playing in San Jose (March 8), and San Francisco (March 9, at Yoshi's).

MdCL: 1989 til now

Mark de Clive Lowe posted this great photo on his Facebook page, talking about gear... Mark writes: "Here's my own personal history of sequencers/drum machines - from the Roland PR-100 in 1989 through various toys old and new to the here n now - Native Instruments' Maschine. Twenty four years of my music technology history.

My favourite is the classic Akai MPC 3000 which is still one of my go-tos, and the one that got away (that I might have to still grab one day!) has to be the SP-1200. For functionality Maschine rules supreme, but sometimes it isn't about how many different things can a drumbox do. Beatmakers - what are your favourite drum machines?"

Ross McHenry - Distant oceans out now

Out now on First Word Records... "On 'Distant Oceans', Ross McHenry has brought together six of the world's foremost musical innovators for the first time on record. The ensemble features one of the most exciting and in demand producers and keyboardists in the world today, Mark de Clive Lowe; the rhythmic foundation of renowned NZ ensemble Electric Wire Hustle, Myele Manzanza; multi-instrumentalist and composer Adam Page and leading Australian instrumentalists Dylan Marshall, Jon Hunt and Luca Spiler. Imagine John Coltrane meeting the Brainfeeder collective and you're somewhere close to the sound of Distant Oceans.

To give you a glimpse into the influences behind the record, Ross has put together a mix on Mixcloud - you can check that here. You can also buy the record here - it's limited to only 500 copies (vinyl only, no CD!) so grab em while you can!

Ross McHenry interview, w Rip it Up Australia, excerpts...

McHenry said the project took 18 months of preparation before their first performance at Adelaide Festival’s Barrio in March of this year.

​“Bringing together three artists from overseas to work in Adelaide in a project is a pretty massive undertaking. It was definitely the biggest thing logistically I’ve ever done, which is saying something, since I’ve done records with over 20 people. But for me it was the next step. I like working on big projects, and thinking big, and I’m happy to work on long timeframes to make those a reality.”

McHenry met drummer Myele Manzanza in London at the Redbull Music Academy in 2010 and keyboardist and electronic manipulator Mark de Clive-Lowe while studying with Miguel Atwood-Ferguson in LA in 2011. He had them and saxophonist Adam Page, who now resides in Wellington, in mind when writing music for The Future Ensemble.

“One of the beautiful things about writing music is that you’re writing knowing that whoever plays the music is going to bring their own personality to it. It was a pretty cool opportunity to write for a totally different set of people who are amazing artists and really quite influential within their field in the global music scene.”

The band went into the studio the day after their Barrio performance after only two rehearsals, resulting in the Distant Oceans record. McHenry said the recording process wasn’t different to performing live because it was recorded entirely live.

“There’s no overdubs, no edits, it is what it is. To me, even though it’s never 100 percent perfect, it’s actually much more beautiful that way, it’s much more human.”

McHenry wouldn’t call Distant Oceans a jazz record, but a contemporary instrumental record equally influenced by jazz and electronic music and hip hop.

“Hip hop and electronic music has had a profound influence on me as a musician, the way that I perceive music, and the way that I write music. To deny that and try to do something that is more traditional is actually not being true to myself. I think that’s the view of the artist involved in this project has, and it’s why I wanted to work with them in the first place.”

McHenry was blown away by money raised through crowd funding, which made the recording of the album possible.

“People aren’t really buying physical albums anymore, and as a result the investment in the creation of albums declined dramatically. There is a need for people who love music to support it in any way they can, and pre-ordering via crowd funding is pretty good way to support the music that you want to see made in the world.”

McHenry said there are already plans in the works to record and play shows mid-to-late next year. “You’ll definitely be seeing a lot more of this group.”

Mark de Clive Lowe: Church

Expat Kiwi Mark de Clive Lowe (now based on LA after a decade in London) is working on fundraising for his next recording, via Kickstarter. He's already raised a quarter of the funds he needs, check out more about it below, sounds like a very cool project...

Mark says : "For the past three years I've had a live music event resident in LA and NYC that we named CHURCH. It's equal parts jazz club, live remix experiment and dance party - part acoustic, part electronic; part planned, part improvised.

"Each month I'd bring in special guests to collaborate with me and meld creative minds. From my favorite musicians, to my favorite singers and MCs, to my favorite DJs, I've been fortunate to have so many of them be part of the vibe. There's been amazing shows outside the US as well - Germany, Holland, Portugal and Australia have all hosted the event at different festivals and venues.

"Playing with the likes of Eric Harland, James Genus, Nate Smith, Mark Kelley, Chris Daddy Dave, Casey Benjamin, Jean Grae, Questlove, Nia Andrews, Gaslamp Killer, Jose James and others has been an amazing experience and tells me that this album is going to be something very special for sure. Every time we throw the event, people 'get' why it's called CHURCH. It's not about a religious angle - it's about uplifting the spirit and the human condition through the power of music.

"I've been wanting to capture the essence of the live shows and share that as an album with the world. Now it's that time! The album is going to feature some very special collaborators from NYC and LA and I'm writing and arranging a whole stack of new music for the record. There'll be a mix of instrumental songs and vocal guests. We'll be in studio for a few days recording, then there'll be post-production before mixdown, mastering and finally having it sent off to be manufactured on CD and vinyl."

Myele Manzanza worldwide

After getting limited release in New Zealand a while back, Myele's debut album has been picked up worldwide by UK label Barely Breaking Even [BBE], and it's out now.

"The driving rhythmical talent behind Electric Wire Hustle steps out from behind the drum kit to release his first solo album ‘One’.

At just 25 years old the musically prolific Myele Manzanza has not only held down the drums as part of New Zealand's Electric Wire Hustle for the past 5 years but has also drummed for many other NZ bands including Olmecha Supreme, Sheba Williams, The Recloose Live Band, The Jonathan Crayford Trio as well as for his father - Sam Manzanza’s Rhythm Africa Band & countless other musical projects.

In 2010 Myele was the only New Zealander selected to participate in the Red Bull Music Academy in London where he picked up a wealth of knowledge & skill from the many other participants from all over the world and expert lecturers such as Flying Lotus, Roots Manuva, Cluster, Moodyman, Dr Peter Zinovieff and DJ Zinc.

The rest of the year was spent living between Berlin & New York & touring with Electric Wire Hustle with laptop in hand. The fertile breeding ground of creativity of these cities provided the seeds of musical inspiration to put together his first album aptly titled ‘One’.

Created primarily in Wellington, New York and Berlin in kitchens, bedrooms, hotel rooms, parks, balconies and backstage ‘One’ draws on many influences and experiences. Rooted in Myele’s musical “first language” of rhythm, the album also expresses his voice as a musician and producer outside of being a drummer which was a key motivation for Myele. "This album was a challenge to myself to broaden my own musical identity as a musician.”

“Myele’s one of the freshest talents to come out of NZ in years - he’s got his own sound, concept and skills that can put him alongside anyone anywhere in the world. one sick, sick talent and I’m always excited to hear what’s coming next.” - Mark de Clive-Lowe (Mashibeats/Tru Thoughts)

Track listing
1.Neighbours Intro
2.Big Space feat. Mark de Clive-Lowe and Bella Kalolo
3.Absent feat. Bella Kalolo
4.Delay
5.Elvin's Brew feat. Mark de Clive-Lowe
6.City Of Atlantis feat. Charlie K and Ladi6
7.On The Move feat. Rachel Fraser (Funkommunity)
8.Everybody Isn't
9.7 Bar Thing feat. Mara TK (Electric wire hustle)
10.Me I Know Him feat. Sam Manzanza and Amenta